News & Updates

HOOPLA! .:. LA Jolla Playhouse POP Tour 2022

3/30/2022

The fifth grade talent show is approaching, and everyone is abuzz at Baldwin Elementary. Winston wants to win the talent show with his cheerleading routine to prove to others that he’s more than the unfriendly “Fishboy” nickname they call him. Introverted artist Gina wants nothing to do with the talent show, and she knows that the overzealous (and generally unpleasant) twin sensations, Randy and Brandy, are probably going to win it all anyway. But with the persistence of Elliott, the school’s new kid and resident rebel, these unlikely friends form Hoopla, a dazzling hula hooping trio, and help each other navigate through the pressures of being a kid.

A fun play for the whole family!

LEARN MORE: POP Tour 2022 Information

INFO: HOOPLA! @ WOW Festival 2022!

Cast:

Jaeonnie Davis-Crawford*
Gina
Jaeonnie Davis-Crawford (she/her) is a San Diego actor and director. She graduated from San Diego State University with a B.A. in general theatre arts. Credits include: Safa’s Story (Imagine/Blindspot Collective), kNOw MORE (PLNU’s Center for Justice and Reconciliation), Connecting Flights (Blindspot Collective), Blackademics (Trinity Theatre Company, reading), The Two Musketeers (Trinity Theatre Company), Julius Caesar (San Diego State University) and The Trojan Incident (Dir. Tug Watson). Jaeonnie is also an artistic associate of Patchwork Theatre Company.

Shaun Tuazon*
Winston
Shaun Tuazon (he/they) is an actor, designer, and donut enthusiast originally from the San Francisco Bay Area. Some favorite credits: Vietgone, House of Joy (San Diego Rep.); #SuperShinySara (La Jolla Playhouse); Mamma Mia (East West Players); The Emperor's Nightingale (Lewis Family Playhouse); In the Heights (Cabrillo Music Theatre); Girlfriend (Craig Noel Award Nom.), Dooley, Altar Boyz (Diversionary Theatre); RENT, Joseph...Dreamcoat (SDMT); Deconstruction of a Drag Queen (Craig Noel Award Nom.); Zanna, Don’t! (SD Premiere), The 25th Annual...Spelling Bee (Intrepid Theatre); as well as productions/readings with The Old Globe, Lamb's Players, New Village Arts, Cygnet Theatre, Breakthrough Workshop, Ion and more. BA in Theatre Arts, SDSU.
ShaunTuazon.com #ShaunsDonuts

Joy Yvonne Jones*
Sylvie/Brandy/Ellen
Originally from Houston, Texas Joy Yvonne Jones attended The High School for the
Performing and Visual Arts and went on to study at the University of Minnesota in the Guthrie Theatre BFA Actor Training Program in Minneapolis, Minnesota. Joy is a recipient of the San Diego Critic Circle Craig Noel Award for Outstanding Featured Performance in a Play for her performance of Saartjie Baartman in Voyeurs de Venus at Moxie Theatre. Her most recent credits include Cherise Howard in Flex at The Humana Festival of New American Plays at Actors Theatre of Louisville, Isabelle in Ring Round the Moon at Lambs Players Theatre, Zuzu in Dance Nation and Jane in Kate Hamil’s adaptation of Pride and Prejudice. She is an accomplished playwright and poet as well as the President of the San Diego Black Artist Collective. Joy is a creative hurricane working on the revolution at the speed of inspiration with her baby boy Leo James on her hip.

Alexis Park*
Elliot
Alexis Park is a Los Angeles based actress and voice over artist! She is also the
founder and co-artistic director of Recover Me, an International Mental Health
Awareness Film Festival. Some of her favorite credits include: the staged reading
of Laughs in Spanish (Amigos Del Rep, Latinx New Play Festival), UN (TuYo
Theatre) and Julius Caesar (San Diego State University). Her voice can be heard
as Rita in the english dub of the Netflix Original Series, Summertime: Season 2!
BA Theatre Performance, San Diego State University

Austyn Myers*
Big Win/Randy
I am so honored to be returning to theatre, playing Randy and Big Win in this production of Hoopla! Broadway: Lesmiserables. T.V. / Film; Meet Dave, Team Spitz, Moon Rocks and Lighter Fluid. Regional: Kingdom City (La Jolla Playhouse); October Sky, Brighton Beach Memoirs, Lost in Yonkers, The First Wives Club (The Old Globe); Lost in Yonkers, Newsies (McCoy Rigby Entertainment); Secret Garden (Lambs Players); Spring Awakening, Peter and the Starcatcher, Secret Garden (Barnstage Theatre)

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2021 LATINX NEW PLAY FESTIVAL .:. 9/3-9/5

8/25/2021

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Catch Shaun Tuazon and the wonderful cast of (trans)formada as part of Amigos del Rep's 2021 LATINX NEW PLAY FESTIVAL!

(trans)formada will be presented as a virtual stream on Saturday, September 4, 2021 @ 12pm.

Theatre industry professionals are invited to join the festival with complimentary in-person or virtual passes. Request a complimentary virtual or in-person festival pass here.

Full details below:

2021 LATINX NEW PLAY FESTIVAL

September 3-5, 2021
Live In-Person AND Streamed Live Online!

San Diego Repertory Theatre and Amigos del REP are proud to announce the lineup for the Fifth Annual San Diego REP Latinx New Play Festival presented in-person and streamed live online, September 3-5, 2021. Below is the schedule of the 2021 Latinx New Play Festival including the four staged readings and the festival showcase production of Conjunto Blues.

Festival passes will be available soon. We highly value the work of our Latinx New Play Festival artists. So that we can continue to support the festival and its artists, we suggest that $50 is a fair value price for this year’s festival pass. However, it is equally important to us that anyone who wants to access the festival and the plays presented is able to do so. Feel free to select a price option, between $0 and $100, that best suits you and your current circumstances. Information on how to view the readings, spotlight performance and other events will be included in your purchase confirmation email.

Theatre industry professionals are invited to join the festival with complimentary in-person or virtual passes. Request a complimentary virtual or in-person festival pass here.

All times listed are PDT.

Friday, September 3rd

4:00pm Directing Panel*

5:00pm Black Mexican by Rachel Lynett

7:00pm Opening Reception*

Saturday, September 4th

11:00am Designer Showcase*

12:00pm (trans)formada by lily gonzales

2:00pm Dramaturgy Panel*

3:00pm Get Your Pink Hands Off Me Sucka and Give Me Back by Daniella De Jesús

6:00pm Conjunto Blues spotlight performance, by Nicolas R. Valdez
7:30pm Reception

Sunday, September 5th

11:00am Historical Context Panel*

12:00pm Local Project Panel*

1:00pm A Skeptic and a Bruja by Rosa Fernandez

3:00pm Closing Playwrights Panel*

*Panel descriptions provided below play summaries

Purchase festival passes for in-person and online events here.

Black Mexican

Who gets to be a part of Latinidad? While Valery fights to prove Ximena isn't Cuban, Alia has given up fighting that she is Latine. As the women in this play discover the truth about themselves and each other, they also have to face the internal bias that allowed a white woman to be Cuban but didn't allow a Belizean to call herself Latine.

Rachel Lynett (Playwright) is a queer Afro-Latinx playwright who writes dark comedies about complex, complicated women of color. Her recent playwriting credits include commissions with Barrington Stage Theatre Company (HOLY GROUND), Florida Studio Theatre (CARRY ME and AS YOU ARE), and Theatre Lab (LAST NIGHT). Other credits include LAST NIGHT presented as a reading with Theatre Lab (2020); HERE BE DRAGONS presented as a reading with Capital Rep (2019); YOU WERE MINE presented as a reading at the Kennedy Center Page to Stage Festival presented by Theatre Prometheus (2019); HE DID IT presented as a reading with Equity Library Theatre, Chicago (2018) and presented as a workshop production with University of Central Florida's Pegasus PlayLab; REFUGE as part of Z Space's Problematic Play Festival (2018); GOOD BAD PEOPLE as part of Talk Back Theatre's Reading Series (2018), part of American Stage Theatre Company's 21st Century New Voices New Play Festival (2018), part of Jackalope Theatre's CIRCLE UP series (2017) and as a reading as part of Unicorn Theatre Plays In Progress (2018); WELL-INTENTIONED WHITE PEOPLE as the Michigan premiere with Matrix Theatre (2018), the world premiere with Barrington Stage Theatre Company (2018), the Downstage Left Residency with StageLeft (2017), part of Orlando Shakespeare New Play Festival (2017), and receiving honorable mention for the 2017 Kilroys for her play (2017). Her play, ABORTION ROAD TRIP received a workshop production produced by Theatre Prometheus as part of Capital Fringe where it won Best Comedy (2017) and then was later presented by Theatre Prometheus, as a part of the 2017 Kennedy Center Page to Stage Festival. Rachel Lynett is also the 2018 Recipient of the Arkansas Arts Council Individual Artist Fellowship and one of the 2020 recipients for the Artist 360 grant.

(trans)formada

Sam is gay, a little trans, and a child of Mexican immigrants living in the Texas Hill Country. They're trying to figure out how to express their gender -- to themselves and to the world. Just as Sam is building the courage to present their gender to their mother, they go to a high school party. Everyone is way too into each other and drinking way too much. Amidst the debauchery, a brave and strange set of rituals ensues.

lily gonzales (Playwright) (they/them) is a playwright from Texas who graduated from UT Austin with a Bachelor's in Theater & Dance / English. Their work has been developed or read at The John F. Kennedy Center, Teatro Vivo, Repertorio Español, Stages, San Diego Rep, AlterTheater Ensemble, and The Workshop Theater.

Get Your Pink Hands Off Me Sucka and Give Me Back

While studying abroad in Spain, Solandra, a young Dominican-American woman, finds herself alone in the throne room of Queen Isabel and King Ferdinand, whose portraits come alive, transporting her to 1492. Meanwhile, on the island of what we now refer to as “hispaniola,” Anacaona awakens, terrorized by a violent nightmare, which she soon learns is a prophetic dream. As Anacaona struggles to save her community from invasion, Solandra contends with her racial identity, attraction to older white men and their attraction to her.

Daniella De Jesús (Playwright) (she/her/hers) is an actor/writer from Bushwick, Brooklyn. As an actor, she is best known for her role as Zirconia on Netflix’s “Orange is the New Black.” A member of the Public Theater’s 2018-19 Emerging Writers Group, her plays include “Pa’ Ti Tengo De Todo” (The Public Theater’s Spotlight Series), "Get Your Pink Hands Off Me Sucka and Give Me Back (FKA Columbus Play)", "The Thief Cometh" (United SoloFestival), and "Mambo Sauce,” which was a semi-finalist for Clubbed Thumb’s 2018 commission. She’s also the creator of the new web series “Talk To Me” on IGTV. De Jesús is a graduate of NYU Tisch School of the Arts with a BFA in Drama.

Conjunto Blues

Conjunto Blues, written and performed by Nicolás R. Valdez, is a play that explores the social and historical conditions that led to the development of Conjunto music as an expression of cultural resistance and liberation. This story centers on playwright, actor, and musician Nicolás Valdez’s personal experience growing up in the Conjunto music scene and is loosely based on the relationship with his grandfather, himself a Conjunto music aficionado. Audiences are taken through a shifting landscape of memory and reflection that is highlighted throughout with traditional music performed live by Valdez and accompanied by musicians on Bajo Sexto (12 string Mexican guitar), Tololoche (upright bass), and drums. Filled with a cast of colorfully poignant characters, Conjunto Blues is a deeply personal performance for audiences of all ages and backgrounds that is sure to entertain and educate.

Nicolás R Valdez (Playwright & Performer) is a San Antonio, Texas based interdiscplinary performance artist with over 20 years experience in cultural arts activism. His introduction to the stage came early when, at the age of 9, Nicolas was trained in traditional Conjunto music by master accordionist Valerio Longoria Sr. By the age of 15 he was an active member of the Guadalupe Cultural Arts Center’s youth theater company Grupo Animo, writing and performing in original staged works. His training continued at the University of Wisconsin Madison and later through the practical experience of working with other artists around the country. Over the years, Nicolas has developed his own unique style incorporating music, poetry and theater into culturally relevant performances that speak to the experiences of the communities along the US-Mexico border.

A Skeptic and a Bruja

Priscilla buys a home in the middle of nowhere after losing her life partner with the hope of turning it into a lucrative Bnb. When she starts having paranormal experiences, she calls on paranormal investigators Sam and Jess from "A Skeptic and a Bruja" to help her. The women get more than any of them expected and more than they will ever be able to forget.

Rosa Fernandez (Playwright) lives in Buffalo, NY full time with her husband and two children. She is an associate member of the Dramatist Guild and a two time participant of the Emmanuel Fried New Play Workshop facilitated by Road Less Traveled Productions in Buffalo, NY. She attended Brooklyn College for a BFA in Theater. Her play, Curse of the Puerto Ricans was a semi-finalist for the Eugene O’Neill National Playwrights Conference and runner up in the MetLife Nuestras Voces Playreading Series for Repertorio Español. It has also made the 2020 Kilroys list and will hopefully receive it's World Premiere in 2021 at Bishop Arts Theatre Center in Dallas, TX.

The San Diego REP Latinx New Play Festival, hosted by the Amigos del REP, is a celebration of engaging, dynamic and enlightening new plays by Latinx playwrights from across the United States. Submissions are accepted from Latinx playwrights representing an array of genres, styles and experiences highlighted by both emerging and veteran playwrights.

Questions? Please email amigos@sdrep.org or call 619.544.1000.

San Diego Rep Latinx New Play Festival reading of "Guadalupe in the Guestroom."

San Diego REP's Latinx New Play Festival is supported in part by an award from the National Endowment for the Arts.

San Diego REP's Latinx New Play Festival is supported in part by the California Arts Council, a state agency. Learn more at www.arts.ca.gov

San Diego REP's Latinx New Play Festival is supported in part by the Peggy and Robert Matthews Foundation.

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San Diego Performing Arts League - Virtual Roundtable: D&I Asian/Pacific Islander Community (05/10/2021)

5/3/2021

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Theatre Alliance of San Diego Performing Arts League hosts an important round table on the API POV.
Love these theatre icons on the panel with me: Jesca Prudencio, Kim Montelibano Heil, Eric Keen-Louie, Gingerlily Lowe, Cassiopeia Guthrie, and more...

#TheatreAlliance #SDtheatre #SanDiegoTheatre #SanDiego

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SAINTS GO MARCHING - Live Virtual Play Reading 10/03/20, 5pm PST

9/28/2020

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MEET THE CAST OF
SAINTS GO MARCHING

Live online on October 3, 5pm PDT. ⁠

About the play:
Jo’s grandfather—a decorated veteran—has died, leaving emotional wreckage and unpaid debts in his wake. As she prepares for the funeral, Jo’s heart is set on keeping grandpa’s burial flag; to get it, she’ll have to deal with her despondent mother, an attempted exorcism, and competition from a secret aunt young enough to be her little sister. It won’t be easy, but nothing an aspiring saint like Jo can’t handle.

Click the link below to reserve your virtual seat for free. Limited reservations.

Free Tickets

Milagro in association with Teatros Unidos- A Newly Formed National Latinx Theatre Collective Announce:

The INGENIO 2020 Live Virtual Theatre Festival
streamed September 25th – October 4th. Two weekends of readings of 6 new plays by Latinx playwrights as a celebration of resilience.

Ingenio /ēn ‘he nē oh/: Spanish for wit, ingenuity; the inventive and creative capacity to create; a sugar cane refinery.

Who: Milagro, Baktun12 & Borderlands Theater, Cara Mía Theatre & Teatro Vivo, Teatro Luna West, TuYo Theatre, and In The Margin Theatre

What: INGENIO 2020

When: September 25 – October 4

Where: Online! Links to the Live Zoom Readings will be sent to you when you register on Eventbrite!

Tickets: Register via Eventbrite

In 2017 Milagro, Portland’s historic Latino theatre dedicated to new play production since 1985, launched INGENIO, a space where Latino/a/x playwrights of all races can develop their plays in a safe, supportive environment with mentors and artists to whom they can relate and support their script being driven to the next stage of production.

INGENIO solves one of the biggest and inequitable gaps in the American Theatre New Play Development Pipeline–the lack of access non-white playwrights have to space, time, and pay for leading artists to gather around new plays and offer them a professional development process. The INGENIO process provides an intrinsic step in the growth and development of several new full-length theatrical works each year. A long term changemaker, INGENIO interrupts many of the given reasons gatekeeping structures of predominantly white theatrical institutions give for not accepting more plays by Latina/o/x writers.

“It felt really wonderful to have support for a piece still in progress, to be recognized by a Latinx theatre company, and to get to be a part of what feels like a really loving and unique community of artists. (…) The company’s willingness to support emerging writers (all of us writing very risky, “out there”) plays was really wonderful to experience. It’s incredibly rare that a company will take a chance on unknown writers and give us space/time to experiment. I felt really, really lucky to be included this year and hope to continue a relationship with the company.” — Adrienne Dawes, Playwright _ Ingenio 2018

Rehearsals and workshops culminate in readings and feedback sessions with audiences of theatre professionals and members of the public. But in 2020, INGENIO goes national!

Due to the ongoing uncertainty of the pandemic, INGENIO 2020 moves to the digital realm, with rehearsals, workshops, and readings shifting online. INGENIO 2020 offers the opportunity for collaboration beyond geographical limitations, being produced this year in association with Teatros Unidos, an emerging collective of Latinx theatre organizations.

“In a time of darkness and isolation, Teatros Unidos has been a beacon for all of the good that can come out of this terribly confusing moment. Theatre is being challenged to figure out how it will translate itself into the next chapter. This has been a reminder that collaboration is central, that no one knows everything, but that together we have all the wisdom necessary to thrive no matter the circumstance. To now expand that circle out to include these playwrights and the artists that will bring their pieces to life, is extraordinary”, says Alexandra Meda of Teatro Luna West.

In addition to Milagro, readings will be presented by Baktun12 & Borderlands Theater, Cara Mía Theatre & Teatro Vivo, In The Margin Theatre, Teatro Luna West, and TuYo Theatre. These organizations came together after a call from Milagro Executive Director, Jose Gonzalez to other Teatro Artistic Directors around the US: How are you surviving, and how can we work together through this crisis? The result has been twice-monthly meetings that range in conversation and resulted in this first joint producing effort. All participating organizations will broadcast the full schedule to their audiences expanding each play’s reach.

INGENIO 2020 FESTIVAL SCHEDULE

Friday, September 25th (SOLD OUT)

(Go to Milagro’s Facebook Page during the performance time and date for a live restream via Facebook)

5:00pm PDT Milagro Presents: The Play You Want by Bernardo Cubrîa

Saturday, September 26th

5:00pm PDT Baktun12 & Borderlands Theater Presents: Sancocho by Christin Eve Cato

Sunday, September 27th (SOLD OUT)

Go to Cara Mía’s Theatre or Teatro Vivo’s Facebook Page during the performance time and date for a live restream via Facebook)

5:00pm PDT Cara Mía Theatre & Teatro Vivo Presents: spayce boys by Mateo Hernandez

Friday, October 2nd

5:00pm PDT In The Margin Theatre Presents: Sabor by AnaSofîa Villanueva

Saturday, October 3rd

5:00pm PDT TuYo Theatre Presents: Saints Go Marching by Matt Barbot

Sunday, October 4th

5:00pm PDT Teatro Luna West Presents: City Without Altar by Jasminne Mendez

Ingenio /ēn ‘he nē oh/: Spanish for wit, ingenuity; the inventive and creative capacity to create; a sugar cane refinery.

Free Tickets

INGENIO 2020 is supported by the National New Play Network's Collaboration Fund. ⁠

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Theatre is the Cure - 7/31/20 - INTERESTING

7/31/2020

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Our next THEATRE is the CURE (TITC) Worldwide Online Event will be on: 𝗙𝗥𝗜𝗗𝗔𝗬, 𝗝𝗨𝗟𝗬 31st, 𝟮𝟬𝟮𝟬 𝗔𝗧 𝟲:𝟯𝟬𝗣𝗠 𝗣𝗦𝗧.
This week’s theme is….
"𝙒𝙃𝘼𝙏 𝙄 𝘿𝙄𝘿 𝙊𝙉 𝙈𝙔 (𝘽𝙇𝘼𝙉𝙆) 𝙑𝘼𝘾𝘼𝙏𝙄𝙊𝙉 𝙤𝙧 𝙈𝙔 𝙑𝘼𝘾𝘼𝙏𝙄𝙊𝙉 𝙁𝙍𝙊𝙈..."
𝗔𝗨𝗗𝗜𝗘𝗡𝗖𝗘, click here to view this week’s show!
https://us02web.zoom.us/j/81210389225?pwd=ZWZOM2tGbS9wMkFrMXZ3WEY5dHdWdz09

Our event is offered to you for FREE, with a SUGGESTED DONATION of $7. Your generous donations will be evenly distributed to compensate TITC artists for their hard work.
To donate, click here: https://www.paypal.com/paypalme2/theatreisthecure

𝗪𝗛𝗔𝗧 𝗜𝗧 𝗜𝗦...
THEATRE IS THE CURE is a bi-weekly online theatrical event of creative collaborations celebrating theatre, community and connection by creating original material to “cure,” at least for a bit, isolation, malaise, apathy and any misconceptions that hope is lost or that theatre isn’t still alive and thriving!
Our show features monologues written by playwrights and other writers from all over the world, directed by directors all over the world, with actors performing live from locations all across the country… and around the globe! Since our premiere, our artists ranges from Hungary, England, China, Australia, Ireland and across the United States!
TITC events will be held bi-weekly on Friday at 6:30pm PST until artists can once again sit together in a darkened room and enjoy the magic of theatre in-person.

𝗔𝗥𝗧𝗜𝗦𝗧 𝗦𝗨𝗕𝗠𝗜𝗦𝗦𝗜𝗢𝗡𝗦:
𝗪𝗥𝗜𝗧𝗘𝗥𝗦:
If you are interested in writing a monologue with this week’s theme, please send an email to theatreisthecure@gmail.com to request prompts with the email subject line:
“REQUESTING PROMPTS FOR JULY 17th SHOW”
*Submission deadline is Sunday, July 12th, 2020 at 3:00pm PST.
𝗗𝗜𝗥𝗘𝗖𝗧𝗢𝗥𝗦:
If you would like to be considered for this week’s event, please send your resume to theatreisthecure@gmail.com with email subject line:
“CONSIDER AS DIRECTOR FOR JULY 17th SHOW.”
𝗔𝗖𝗧𝗢𝗥𝗦:
If you would like to be considered for this week’s event, please send your headshot and resume to theatreisthecure@gmail.com with email subject line:
“CONSIDER AS ACTOR FOR JULY 17th SHOW.”
Casting Notes:
1. Actors not known by the producer may be asked to submit a brief self-tape.
2. As a worldwide event, we are proud to present diverse artists, thus we are ACTIVELY seeking actors of color.
𝗛𝗢𝗪 𝗜𝗧 𝗪𝗢𝗥𝗞𝗦:
Based on given prompts, each WRITER will be given at least 24 hrs. to write one original 2-minute monologue. These monologues will be submitted anonymously to a panel of rotating judges to be scored. The top 10 monologues will be chosen for each week’s show. (Monologues that are chosen, but greatly exceed the time limit will be edited at the producer's discretion.)
Then, DIRECTORS are matched with a script and an ACTOR to rehearse via teleconference.
Finally, all artists' collaborative work will culminate in a LIVE worldwide theatrical online event on Friday!
𝗔𝗕𝗢𝗨𝗧 𝗧𝗛𝗘 𝗣𝗥𝗢𝗗𝗨𝗖𝗘𝗥𝗦:
This event is being curated and produced by the award-winning and critically-acclaimed Logan Squared Productions (www.logansquaredproductions.com).
Logan Squared Productions (L2P) has been creating award-winning artistic projects for the joy, inspiration, and betterment of humanity for more than seven years. Co-producers and creators of L2P, Ron Logan and Hannah Logan, always have a commitment to diversity and inclusion, and we work when we can to create a platform for other artists to shine. Writers, actors, directors, and technical artists of many ethnicities, ages, levels of experience, and abilities have been part of L2P productions. We also have a commitment to gender inclusivity in our creative process.
The co-producers of Logan Squared Productions hold themselves to high artistic standards as they stay committed to their primary aim; to tell stories that bring to light important issues, challenge the status quo, and inspire creativity, inclusivity, and community in a world desperately in need of stories that matter.
Theatre is certainly not the cure for racism or ignorance but it can be a means by which to shine a line on it and, we, as artists, can do our part to use our gifts to change the status quo.
𝗦𝗢𝗖𝗜𝗔𝗟 𝗠𝗘𝗗𝗜𝗔:
Facebook:
Theatre is the Cure

Instagram: @theatreisthecure
Youtube: https://www.youtube.com/channel/UC_HEYdtSWat9zfDbDstwiLg
If you have already seen a show and liked it, please gives us a review here:
https://better-lemons.com/production/theatre-is-the-cure/

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Theatre is the Cure - Online At Home Performance, 4/10/2020

4/9/2020

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Theatre is the Cure: Worldwide Online Event

THEATRE IS THE CURE is a virtual theatrical event in response to the Covid-19 pandemic. Artists around the globe are out of work as theaters close their venues in compliance with social distancing measures.

There are no physical (or virtual!) tickets for Theatre is the Cure: Worldwide Online Event. We ask that you send a donation in any amount that you are able to
https://www.paypal.com/paypalme2/theatreisthecure

The event will stream live on the event page. No passwords/access codes necessary:
https://www.facebook.com/events/1417131878461230/

THEN CLICK DISCUSSION TAB TO VIEW!!!

Join us every Friday at 6:30pm Pacific time (US.)
Theatre artists from all over the world will come together to share live theatre with audiences everywhere in the comfort of their own homes, or wherever they have access to the internet. ALL proceeds will be distributed to participating artists that have been financially impacted by the outbreak of the Covid-19 pandemic.
Fifteen PLAYWRIGHTS will write one original monologue each. Fifteen DIRECTORS will be matched with a script and one of fifteen ACTORS to rehearse via teleconference, culminating in a live event streaming worldwide.
THEATRE IS THE CURE will be held weekly each Friday evening until artists can once again sit together in a darkened room and enjoy the magic of theatre in-person.

THEATRE IS THE CURE is calling on you to participate as an Actor, Director, Playwright, Performer, or Audience Member.

Interested playwrights, directors, and actors should email theatreisthecure@gmail.com. In the Subject line of your email, please indicate whether you are a PLAYWRIGHT, DIRECTOR, or ACTOR. Be sure to attach a resumé as well.
Audience members who would like to contribute prompts to inspire writers donate any amount, then type a prop, location and/or a SIMPLE/BRIEF line of dialogue in the note field of your Paypal donation.

This event is being curated and produced by the award-winning and critically-acclaimed Logan Squared Productions, which has received “Critic’s Pick”, “Best Bet” and many “must-sees” for their annual THAT 24-HOUR THING theatre event at the San Diego International Fringe Festival. Hannah Logan produces it with her graphic designer partner, Ron, and says, “We already have people responding from all over the world; Venezuela, Italy, and Australia. A director who already has the virus is joining us as a participant. This is a worldwide crisis but theatre is the cure for that feeling that we are alone in our experience. Our venues were shut down, but let’s create a Worldwide Theatre Pandemic. Let’s bring entertainment, inspiration, humor, hope, and faith into homes everywhere. Your home is our theatre. Please join us.”

Please follow Theatre for the Cure on Instagram at @theatreisthecure or on Facebook at https://www.facebook.com/theatreisthecure

For more information or to request an interview, please reach out to Hannah Logan at TheatreIsTheCure@gmail.com

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Shaun Tuazon

HOOPLA! .:. LA Jolla Playhouse POP Tour 2022

Cast: